Now in its 24th year, the St. Sebastian Players, a non profit group with a community theater feel, continues to thrive in the basement of St. Bonaventure church near the busy intersection of Diversey and Ashland (patrons should enter at Marshfield, on the western side of the church). This production marks the second of their three show season, directed by Jonathan “Rocky” Hagloch and choreographed by Shawn Renee Lent with musical direction by Barbara Murphey-Sanders.

For those not familiar with the original Broadway musical, which debuted in October 1972 and ran for 1,944 performances, Pippin is an everyman tale set in the 8th century as told to the audience by the Leading Player and a troupe of actors. Prince Pippin, son of King Charlemagne, sets out to find his true life’s calling, searching for meaning and fulfillment. His journey takes him through war, hedonism, political life and despair before he finally chooses a life of simplicity with the peasant woman Catherine and her son, Theo.

Director Rocky Hagloch adds an extra layer of complexity by making the players telling the tale a Commedia dell’Arte troupe, with mixed results. The concept works well, enhancing the meta-layer of narration and strengthening the moments of direct address, but the masks ultimately limit the actors and the overblown style of commedia performance sometimes undercuts the storytelling. Though the production value may be low (costumes were provided by the actors and the set consists of platforms and large, multiuse, colored blocks), the passion and energy of the cast remains high throughout. Aaron Holland (Pippin) holds his own in the demanding role, and Andrea Wukitsch (Isabella) deserves more stage time.

Bottom line: if you unfailingly support underdog productions and can overlook green performers, take a peek at this production; if you’re hoping for a bit of Broadway, best to take a pass.

St. Sebastian Players at 1625 W. Diversey; (773) 404-7922. Through March 13; 8 p.m. Fridays; 8 p.m. Saturdays; 2 p.m. Sundays.